Shame is overwrought and lacking in real story, but the Fasspenis deserves Best Actor
If you just want the abridged Shame review, here it is: Michael Fassbender is a sex addict. That’s it. That’s the whole movie. Just stop reading right here. Shame is about Michael Fassbender having dirty sex and thinking nasty sex thoughts and looking at filthy sex porn on the internet for 101 minutes, with all the initial awesomeness turning to repetitiveness that would entail. Oh, and he has a humongous penis (yes, this is a shameless teaser for the rest of this review).
Okay, so there’s a liiittle more, but the “more” is the worst part. I suspect there’s a great short film buried inside Shame (mmm, yeah, baby, let me bury my short one inside you). A 25-minute tone portrait of a sex addict, Michael Fassbender’s relentless, rhythmic rutting thumps and gnarled sex face — a loving vignette of a madman in its own way, artful in its specificity. It’d probably win awards. But it’s not enough story for a feature, and it shows in Shame‘s third act, deteriorating into artsy montage and pulling every overwrought trick in the art school handbook in a needy attempt to seem, like, sooo serious and deep, you guys. I mean, really? A suicide attempt set to classical music? What are we, 13? (Oh right, my headline. I guess we are.). Still, for a movie that’s meant to depict the filthiness of sex, it isn’t quite filthy. It’s movie-dirty.




