RIP, Roger Ebert

Written by Vince Mancini / 04.04.13

Well this sucks. Just days after announcing that he’d be taking a leave of absence from his work to deal with cancer that had returned to his body – discovered after he fractured his hip last year – Roger Ebert has died at the age of 70.

Ebert, 70, who reviewed movies for the Chicago Sun-Times for 46 years and on TV for 31 years, and who was without question the nation’s most prominent and influential film critic, died Thursday in Chicago. He had been in poor health over the past decade, battling cancers of the thyroid and salivary gland.

He lost part of his lower jaw in 2006, and with it the ability to speak or eat, a calamity that would have driven other men from the public eye. But Ebert refused to hide, instead forging what became a new chapter in his career, an extraordinary chronicle of his devastating illness that won him a new generation of admirers. “No point in denying it,” he wrote, analyzing his medical struggles with characteristic courage, candor and wit, a view that was never tinged with bitterness or self-pity.

Always technically savvy — he was an early investor in Google — Ebert let the Internet be his voice. His rogerebert.com had millions of fans, and he received a special achievement award as the 2010 “Person of the Year” from the Webby Awards, which noted that “his online journal has raised the bar for the level of poignancy, thoughtfulness and critique one can achieve on the Web.” His Twitter feeds had 827,000 followers.

Ebert was both widely popular and professionally respected. He not only won a Pulitzer Prize — the first film critic to do so — but his name was added to the Hollywood Walk of Fame in 2005, among the movie stars he wrote about so well for so long. His reviews were syndicated in hundreds of newspapers worldwide. [SunTimes]

I didn’t agree with him much about movies in recent years, but I always liked Ebert as a writer. He got a lot of flack for inventing the “thumbs up, thumbs down” system of reviewing movies, but I always saw that more as a hook to draw people in so they’d hear what he had to say than as an actual attempt to boil down complex reviews to a binary system. None of us really want to stamp a semi-meaningless letter grade or yes or no on the end of our complex thoughts on a film. But Ebert understood, even before RottenTomatoes, that people wanted reviews and ratings quantified, even if it was just in a superficial way, or as a hook to get them to read it. It’s a quirk of human nature, and he was just going with it. Much the same way the internet breaks things into lists not because internet writers love lists, but because something about the list format makes people more apt to read them. Obviously, he will be missed. Ebert still managed to outlive his old partner, Gene Siskel, who died in 1999 at 53, of a brain tumor. It’s sad to see so many film critics dying young. I blame our glamorous, devil-may-care lifestyle.

PS: I’ve seen countless news stories using pictures of Ebert post-jaw-loss to accompany the story of his passing. Really, you A-holes? You really think that’s how he’d want to be remembered, with most of his lower jaw missing from cancer? Somehow I doubt ithat.

PPS: I can’t believe I’d nearly forgotten this, but I do believe it was Roger Ebert who first introduced me (tangentially, via Drew Magary) to the wonderful work of Lindy West three years ago. Aw, and if I wasn’t feeling all squishy and sentimental about this five minutes ago, I certainly am now.

[be sure to check out his full obit over at his paper, the Sun Times. picture source = Shutterstock]

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Today in Outrage: Niagara critic quits after editor bars him from reviewing films featuring strong women

Written by Vince Mancini / 11.20.12

Before yesterday, few of us had heard of film critic Michael Calleri or the Niagara Falls Reporter, a weekly rag with a circulation of 22,000 around Buffalo. But that was before Roger Ebert published Calleri’s 3,200-word screed about why Calleri was leaving that paper in the SunTimes’ foreign correspondents section (which in turn made it to Jezebel, Indiewire, MaryJane, etc…). Turns out Calleri, who might be the longest-winded man alive, had an editor who was basically a Drew Barrymore-movie straw man come to life. Calleri takes about 2800 words explaining that when he started, the Niagara Falls Reporter was an alt-weekly whose founder moved to LA, and was subsequently taken over by a nutjob, Frank Parlato. The money shot of the story is an email from Parlato about why he didn’t want Calleri reviewing Snow White and the Huntsman, which Parlato apparently thought was a dangerous film counter to traditional notions of manhood.

Michael; I know you are committed to writing your reviews, and put a lot of effort into them. it is important for you to have the right publisher. i may not be it. i have a deep moral objection to publishing reviews of films that offend me. snow white and the huntsman is such a film. when my boys were young i would never have allowed them to go to such a film for i believe it would injure their developing manhood. if i would not let my own sons see it, why would i want to publish anything about it?

snow white and the huntsman is trash. moral garbage. a lot of fuzzy feminist thinking and pandering to creepy hollywood mores produced by metrosexual imbeciles.

I don’t want to publish reviews of films where women are alpha and men are beta.

where women are heroes and villains and men are just lesser versions or shadows of females.

i believe in manliness.

not even on the web would i want to attach my name to snow white and the huntsman except to deconstruct its moral rot and its appeal to unmanly perfidious creeps.

i’m not sure what headhunter has to offer either but of what I read about it it sounds kind of creepy and morally repugnant.

with all the publications in the world who glorify what i find offensive, it should not be hard for you to publish your reviews with any number of these.

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Insensitive Tweet-Gate: Ebert learns his lesson. The wrong lesson.

Written by Vince Mancini / 06.22.11

Jackass‘s Ryan Dunn died in a car wreck Monday, and as you’ve no doubt heard by now, yesterday Roger Ebert controversially tweeted (ridiculous as that phrase sounds, it’s accurate), “Friends don’t let jackasses drink and drive.”  There was the predictable outcry, notably from Dunn’s high school friend Bam Margera (who overreacted, as might be expected of a guy who just lost a friend and who frequently wears eyeliner), culminating in Ebert’s Facebook page getting shut down due to complaints from Bam fans (it’s since been restored). I didn’t cover this right away, probably because I’m the last person in the world to shout “too soon” or complain about insensitive humor (in fact, “inappropriate” is my least favorite word in the English language, solely for the number of times I’ve been bludgeoned with it by the humorless).  But something about hearing Ebert defend what he said as if he wasn’t joking at all, as if he was actually just trying to turn this event into a learning moment like some kind of male Oprah, just rubs me the wrong way.

“What did I mean by that? I meant exactly what I wrote. I wasn’t calling Ryan Dunn a jackass. In Twitter shorthand, I was referring to his association with “Jackass.” I thought that was clear. I note that Bam Margera uses the word “jackass” in the same way in his tweet. [Tuesday p.m.note: Of course there was a double meaning. I was implying that someone who drinks and drives is a jackass. Just as I was when I was drinking.]“

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Joaquin breaks character on Letterman, Affleck comes clean

Written by Vince Mancini / 09.23.10

Joaquin-on-Letterman

The big news today is that Joaquin Phoenix went on Letterman last night, this time not in character.  You can hear all about it from boyish wonder Matt Ufford over on WarmingGlow, but probably the best exchange was Dave demanding money for his appearance in I’m Still Here, now that they’ve publicly admitted it wasn’t a strict “documentary.”

Joaquin: “Can we talk about it privately?”

Dave: “Yeah, I’ll go to one of your screenings.”

ZING!  Seriously though, well played, Letterman.  Meanwhile, over on his blog, Roger Ebert published an email exchange with Casey Affleck about the documentary concept which is worth a read, if you’re into that sort of thing.  My sister was a reader.

The bottom line: Casey Affleck thinks of it as a performance and not as an act, and he thinks of “I’m Still Here” as a film, and not a hoax. In an interview where he revealed details behind the making of his controversial film with and about Joaquin Phoenix, he also said:

- David Letterman was not in on the performance, and what you saw on his show was really happening.

- Phoenix dropped out of character when he was not being filmed or in public.

- The drugs and the hookers were staged. The vomiting was real. [phew!]

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Herzog finds obvious use for 3D: filming paintings

Written by Vince Mancini / 04.14.10
fdwernerherzog

"One mustn't show deference to za bear, or else za bear haz already won."

Roger Ebert recently attended a lecture where Werner Herzog discussed his movie Aguirre: The Wrath of God, and while that’s not the main focus of this post, Werner Herzog can’t take a dump without saying or doing something quotable, and who am I to deny you of that?  I’m just a humble blogger with a magical crotch. A couple gems:

- A quarter-mile upstream from this shot, Herzog says, he returned only a year ago to the Urubamba river to shoot a scene for his latest film, “My Son, My Son, What Have Ye Done.” Nobody asked him why, and indeed it is hard to pinpoint a reason why footage from a Peruvian rapids was required for a crime drama set in San Diego. Somehow, with Herzog, you don’t ask such a question.

- Herzog said he doesn’t give a great deal of thought to composition. “I focus entirely on the subject of the shot.” One shot shows the fat man straddling a cannon and eating a mango. A voice asks, “Is that a phallic symbol?” Herzog replies” “It honestly never occurred to me until you pointed it out. I wanted to have a shot showing the man who consumed all our mangos.”

Good stuff.  Anyway, let’s get down to ass tax: Herzog also revealed that he’ll be shooting a documentary about the 32,000-year-old paintings inside the Cave of Chauvet-Pont-d’Arc in Southern France… in 3D.
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