Kicking off this week’s This Week in Posters and Stills, here’s the latest poster for Skyfall, the 23rd James Bond film, directed by Sam Mendes, starring Daniel Craig and Javier Bardem, opening November 9th. If you weren’t already thrilled for this latest Bond movie… I doubt this poster is going to change your mind.

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"I'm just imagining this, so shut the hell up."

Since 2005, Sin City has grossed almost $160 million worldwide, which is awesome because it was a fantastic movie and it briefly made us believe that Frank Miller was some sort of visionary revolutionist. Then we saw The Spirit and we were all like, “Oooooooh, we were wrong.” But bless his heart, because he’s bouncing back strong with a sequel to Sin City just 7 years after the original.

A Dame to Kill For will star Clive Owen once again as Dwight, as he’ll undoubtedly find himself rescuing a “dame” from a homicidal maniac or 12. Thankfully, Robert Rodriguez will be returning as well to help Miller’s script come to life with a little more experience and less red splashed on black and white.

“I have wanted to re-team with Frank Miller and return to the world he created since the day we wrapped the original, but have felt a duty to the fans to wait until we had something truly exceptional that would meet and exceed what have become epic expectations. ‘A Dame To Kill For’ will certainly be worth the wait.” (Via First Showing)

WHYYYYYYYYYYYYYYYYYYYYY? I’m probably in the minority here, but please just leave great enough alone, you guys. I’m sure that in Rodriguez’s and Miller’s heads they have this grand idea for a sequel that they think everyone will love. And maybe they’ll be right and we’ll all be like, “Wow what an awesome sequel!” But why take the chance? Why even open the door to disappointment? Because Hollywood is out of ideas, that’s why.

Just days after Departed writer William Monahan and Martin Scorsese made James Toback cry bronzer-colored gravy tears (because they decided to remake The Gambler without calling him), it’s being reported that Monahan has been hired for another project: Sin City 2. “Hooray, that’s awesome!” said Bizarro Me.

Momentum has been building lately behind the long-in-development sequel to Sin City, which grossed a healthy $100 million worldwide in 2005. Rodriguez, who co-directed the original with Frank Miller (who scripted and authored the source material), said at Comic-Con in July that financing for the sequel had been arranged and shooting would begin as soon as a script could be locked, possibly by the end of this year.
Rodriguez indicated to THR during an interview at Comic-Con that actors playing characters that survived the first film are expected to return, and that because much of it is shot in pieces against green screen that scheduling shouldn’t be too difficult. [THR]

I hope you’ll excuse my lack of excitement, but that overwrought hunk of faux-artsy ball torture porn got old 35 minutes into the FIRST movie, and still managed to spawn more meathead, junior college imitators than Troy Duffy (see: Bunraku). High contrast, lots of shadow, the occasional color pop — really, we get it.

But as long as we’re shooting it on a green screen, maybe we could just get Andy Serkis to mo-cap all the characters. At least Jessica Alba’s part. That way, onscreen, you’d still see Jessica Alba, but it’d be Jessica Alba infused with the heart and soul of an actor’s performance.

In addition to screening in 3D, showings of the Robert Rodriguez-directed Spy Kids 4 will also be accompanied by scratch-and-sniff cards handed out to the audience, which the studio is calling “SPY KIDS 4, IN 4D AROMA-SCOPE,” because obviously, the fourth dimension is smell (SCIENTIFICALLY ACCURATE). Oh, and one of the scents on the scratch-and-sniff card is “a spy baby’s diapers.” Never hire a baby spy, dudes. I paid my friend’s kid a thousand dollars to infiltrate the Kremlin and I’d swear all he did was drool and poop himself.

“When it came time to do Spy Kids 4, I couldn’t just go back and do 3D like everybody else is now. I had to bring something extra,” Rodriguez told the AP.

“And so I revolutionized moviegoing with scratch and sniff cards. Some might say I turned 3D on its nose.”

“Just watching my own kids with interactive gaming, you ask them to watch a movie, it just feels so passive to them. I thought, this helps bridge the gap. It’s an interactive thing, almost like playing a game while you’re watching the movie.”

“I made a movie about spy babies and robot dogs, in 3D, with scratch and sniff cards. And if they’re still not paying attention, we’re going to hand out silly string so the kids can fight with it in the theater. Have fun, parents.”

In 1981, Waters released Polyester in “Odorama,” while the 2003 toon Rugrats Go Wild also used scented cards. One of the Rodriguez smells is a spy baby’s diapers. “Originally, we didn’t have any really rancid smells, but kids wanted something really stinky in there,” Rodriguez told AP. “It really doesn’t smell that bad. No one’s going to get sick in the theater.” [Deadline]

So instead of the gritty realism of the genuine article, we get yet another watered-down, slick, Hollywood take on baby poop? WHEN WILL YOU STOP RAPING MY CHILDHOOD, ROBERT RODRIGUEZ, WHEN?

Last night at Comic Con, where Vince was last seen challenging the cast of Glee to a jazz-hands-off, Robert Rodriguez and his new Castro hat dropped a major news bomb on his fans. Not only is he already hard at work on a Machete sequel (Machete Kills), but after that’s done and released, he’ll be giving us Machete Kills Again, which he referred to as a “space opera” or “Machete kills in space.” Funny, I remember watching the original and thinking, “Gee, this was a letdown this should be in outer space.”

On top of that, Rodriguez also said that he’s eager to get to work on Sin City 2: A Dame to Kill For after he completes Spy Kids 4. The director claims that he has already written the Sin City sequel and that he’d like to get to work on it (in 3D, of course) this year. And on top of THAT, Rodriguez and Kevin Eastman announced that they are collaborating on a new Heavy Metal film, which David Fincher dropped out of in 2008.

So how the hell is Rodriguez getting all this work done, Indiewire? I mean, aside from the meth.

Already the owner of Troublemaker Studios, QuickDraw is just another avenue that buys Rodriguez his independence outside of the Hollywood system. “How to break into industry?,” he asked? “Rethink traditions. Having your own financing, you avoid the pain in the ass factor. Go right into how to get that idea out. It’s very important for a filmmaker to be part entrepreneur.” Like “Grindhouse” which spawned the career of “Hobo With A Shotgun” director Jason Eisener, Rodriguez said with “Heavy Metal” they’d also be holding a trailer contest—aspiring filmmakers take note.

Responded one of the fans in attendance, “I’m sorry, you said to rethink traditions and have your own financing? How do I get my own financing?” To which Rodriguez replied, “I’m sorry, I forgot the middle step – ???”