The Legal Battle Over Who Owns Raging Bull Is Getting Serious

Written by Danger Guerrero / 02.07.12

As Uproxx’s Chief Legal and R&B Music Correspondent, I consider it my duty to bring important law-related matters to your attention and explain them in a professional, straightforward manner to help cut through all the legalese. The law can be very confusing to the layperson, what with all its Latin terminology and jurisdictional issues and various precedents, so I’m more than happy to provide assistance to help you all make sense of it. Take for example the fight over the rights to Martin Scorsese’s classic film Raging Bull, now in front of the 9th Circuit Court of Appeals. It’s a mess of copyright and legal mumbo jumbo (official term), so allow me to break it all down for you.

So there’s this lady, right? She was all “Yo my dad wrote this screenplay about Jake LaMotta and also a book and y’all straight-up jacked it so PAY UP,” and the studios were like “Whoa toots FIRST OF ALL we based the screenplay on the book but we already paid for that” and the lady was all “Yeah but the book was BASED on the screenplay so really he wrote the movie and since he died before the copyright expired it went to me as his heir so I REPEAT pay up,” and then the studio was like “Ok, A) No, B) You can’t copyright facts and his life story is all facts, and C) Even if this is all true you waited like two decades to bring this case which is unfair to us because everything we need to defend ourselves is all dusty and stuff now,” and then the judge was like “Yeah it’s pretty unfair to wait so long so I am dismissing the case,” the lady was like “I AM APPEALING AND I SWEAR TO GOD I WILL CALL ROBERT DENIRO” which is a classic legal strategy. So, now it’s being argued in front of the 9th Circuit.

Based on a thorough examination of all the evidence in this case, my OFFICIAL LEGAL ANALYSIS of the situation is that Raging Bull is a dope movie and this lady should think about suing Scorcese for something else, like that shot at the end of The Departed where the rat walked across the screen. That was dumb.

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R.I.P., LEFTY ROSENTHAL

Written by Vince Mancini / 10.16.08

Frank “Lefty” Rosenthal, a former casino executive once called the greatest living expert on sports handicapping and the man on whom Robert DeNiro’s character in Casino was based, has died at the age of 79.

Officials said Rosenthal died from a heart attack in his Miami Beach condo.

Rosenthal, who once survived a car bomb, ran the Chicago mob-owned Stardust, Fremont, Hacienda and Marina casinos through the 1970s and into the mid-1980s. [CNN]

**pours out a little coffee on the floor for my homeboy**  Here’s to you, Lefty, I hope you’re up in Heaven right now trying to bang that chick from TLC.  Oh wait, he was Jewish?  Nevermind about the Heaven thing.  …Hey don’t look at me, I don’t make the rules, Jesus does.

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RUFFALO NOT STALLONE YA FACKIN QUEAH

Written by Vince Mancini / 11.27.07

Mark Ruffalo will star alongside Leo DiCaprio in Marty Scorsese’s movie adaptation of the Dennis Lehane novel Shutter Island.  Lehane, of course, has previously had his work made into the Boston-set films Mystic River and Gone, Baby, Gone (maybe the best movie I’ve seen this year).

In Laeta Kalogridis’ [Pathfinder, Alexander] adaptation of Dennis Lehane’s 2004 novel, Ruffalo will play U.S. Marshal Chuck Aule, who travels with his new partner (DiCaprio) to the titular Massachusetts island in 1954. As they investigate the disappearance of a patient from a hospital for the criminally insane, they encounter a web of lies, a hurricane and a deadly inmate riot that leaves them trapped on the island.

If you’re confused because you read that the Aule part had been offered to Stallone, you’re not alone (wanna bone? maybe get stoned, or have a scone with an old crone? hold the phone).  I reported that a few weeks ago, and now realize the source for the story was AICN – run by Harry Knowles, who looks nothing like his sister Beyoncé.   

Between this and their story about Christian Bale in Terminator 4, I’m beginning to think AICN merely serves as the mouthpiece for lonely nerds whose wildest fantasies involve crazy movie casting rumors, as opposed to picturing themselves making love to Anne Hathaway in a gingerbread spaceship on a bed of baby polar bears. 

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