PAULA ABDUL SAT ON A MEXICAN

07.01.09 Written by Vince Mancini

NY Mag recently obtained some production notes from Brüno, which for once are actually interesting (production notes are usually just a collection of the cast and crew’s embarrassing, sycophantic praise for each other, like a daisy chain in print form).  You can check them all out over there (and some are spoilery), but this is undisputed highlight:

According to whoever wrote the production notes, it was “stunningly easy” to get both Paula Abdul and LaToya Jackson to use Mexican gardeners (who were really actors) as chairs, despite Abdul’s claims to the contrary. “Both were very game,” allegedly.

Of course they were.  I try to avoid American Idol as much as humanly possible, but every time I hear Paula Abdul talk she sounds like Kirk Douglas on a whippet binge, which is generally a good indication that a person’s taking a stiff cocktail of reality-avoidance pills (not that there’s anything wrong with that).  Bottom line, if you can’t feel your face, you’re probably not going to feel a Mexican’s shame.  Poor guy. Sources say he was so embarrassed that he told Abdul, “Ju can seet right here long as ju want, chica,” while pointing at his crotch and making kissing sounds.  True story.

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UNIV SHOULD BORROW BAY’S ROBOT BALLS

06.29.09 Written by Vince Mancini

On Friday I reported that Universal had cut a scene from Brüno featuring LaToya Jackson a few hours before the Brüno premiere in LA.  At the time it was unclear whether the scene would make it into the theatrical version.  They’ve since confirmed that it won’t be.

The studio confirmed the scene would be out of the theatrical version of the movie, and said removing it won’t be expensive because the prints have not yet been made or shipped.

Sacha Baron Cohen interviews an unsuspecting LaToya Jackson about a number of topics, including her brother. Among the gags is a joke about the King of Pop’s high-pitched voice, as well as a reference to his trademark white glove, all done in Baron Cohen’s characteristically absurdist tone. [THR]

Oh no, not his voice or his glove!  Too far, you guys. That’s the Ronald Reagan of pop you’re talking about.  Lot of people think you can make fun of dead people, but really, that’s the best time to make fun of them.  For one they can’t chase you and for another you can dress them in silly outfits.  Haha, why you hittin yourself, Billy Mays?

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