Box Office Round-Up: Oz Is Great, Powerful And A Much-Needed Blockbuster

Written by Ashley Burns / 03.11.13

Through two months, 2013 has been a pretty awful year for major motion pictures at the box office thus far. If you look at a rundown of the year’s biggest films to date, you’ll see that only Identity Thief, a comedic caper about Jason Bateman and Rex Reed’s tiny penis chasing Melissa McCarthy all over the place, has topped the $100 million mark this year.

That means that star-driven action movies like A Good Day to Die Hard ($63 million), Snitch ($31 million) and Parker ($17 million) have been big old turkey turds at the U.S. box office, while unusual entries like the comedic zombie tale Warm Bodies ($63 million) and horror films like Mama ($71 million) and Safe Haven ($62 million) have been surprising successes. Wait, what? Safe Haven isn’t a horror film? But it stars Josh Duhamel and Julianne Hough and is based on a Nicholas Sparks novel. I can’t think of anything more terrifying than that.

The biggest concern* lies with the year’s first huge budget film, Jack the Giant Slayer, which had a $195 million budget and has only grossed $43 million through its first two weeks. However, before any Hollywood execs go burying themselves to the neck into mountains of cocaine, Oz the Great and Powerful may have pulled us out of this year’s early funk, grossing $80 million in the U.S. and Canada this weekend, with an additional $65 million overseas. Although, while $145 million might sound awesome, Oz cost $215 million to make, so Disney would probably appreciate it if you took your brats to see it 12 more times.

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Weekend Movie Guide: ’21 And Over’ Totally Looks Hilarious

Written by Ashley Burns / 03.01.13

And then the juiced up bouncer jacked him right in the face.

Opening Everywhere: 21 and Over, Jack the Giant Slayer, The Last Exorcist Part II

FilmDrunk Suggests: Haven’t you seen the commercials for 21 and Over? It looks hilaaaaaaaaaaarious. I mean, it’s totally going to be an accurate portrayal of college life that has never been told before. I, for one, can’t wait. I’m even bringing a bucket of ice, because I expect to laugh my dick off.

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This Week in Posters: ‘White T’ looks incredible.

Written by Vince Mancini / 02.21.13

This week, I was planning to lead with Guy Pearce’s new Iron Man 3 poster, where he’s dramatically pulling off his sunglasses like David Caruso in CSI Miami. I like to lead with a movie people have heard of so they’ll click through, and that seemed like the obvious choice. But then I saw White T here, and it simply could not be denied. Just look at this goddamned masterpiece. Do I know what it’s about? Not really. But I know it’s got Weensie from Old School and his similarly portly brother dressed in matching, sockless plaid shants ensembles fighting over a t-shirt with the tagline “Big Dreams…Big Seams.” What does this white t represent? Why would they be fighting over the same white t when they’re both already wearing identical white tees? Is it a battle over who gets a change of clothes? A metaphorical struggle for identity? I can’t say. Point being, this poster is practically bloated with ambiguity, which doesn’t soften my desire to see it one bit. This, my friend, is how you sell the sizzle, not the steak.

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This Week in Posters: Diagonals Galore

Written by Vince Mancini / 02.13.13

THIS WEEK IN POSTERS: Not that they ever left, but diagonal horizon lines are back in a big way this week. In addition, we’ve got Iron Man, new Stephenie Meyer, a motion poster, and more!

Big Ass Spider!: I believe this movie and poster design is called “the direct approach.” “Yeah, so our movie is called Big Ass Spider! and it’s about a big ass spider.” That’s a great elevator pitch.

I’d like to know what plane of existence that ambulance is driving on, but I assume that will be explained. Perhaps it’s some kind of campy Escher painting.
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This Week in Posters and Stills: Iron Man 3, Pain and Gain

Written by Vince Mancini / 01.31.13

Strap in, kids, we’ve got an abundance of posters to savor this week. First up, Iron Man 3. I’ll be honest, it sort of bums me out how excited grown adults get every time a comic book character so much as farts on celluloid. I mean, I like plenty of comic book movies (possibly more than half, even) it’s just the automatic excitement of it. It seems like a weird form of brand loyalty. Anyway, I like this poster fine, I’m just not that into the idea of a third Iron Man after the last one. Is this one just going to be Robert Downey flexing at the camera shouting “I’m Robert Downey, bitch!” while he bangs supermodels? The first one was fun, but let’s face it, Iron Man is kind of like the Entourage of superhero movies.

I call this pose the Angry Upside-Down Jesus. My girlfriend and I tried the Angry Upside-Down Jesus once, but we didn’t have the right sized railroad spikes.

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