Armond White calls everyone nerds and explains how Ebert ruined everything

Written by Vince Mancini / 03.27.13

It’s been a while since we last checked in with Armond White, everyone’s favorite vociferant contemptularian, and three-time exalted cyclops of the Bull Moose Moving Picture Society of the 1934 World’s Fair. On the A-Dubz docket today, IFC Films’ Room 237, a documentary about Stanley Kubrick’s The Shining told through interviews with the most outspoken Kubrick lovers. As is so often the case, Armond actually has a valid point to make, about how the middlebrow has come to worship ambiguity for its own sake, because middlebrow critics aren’t smart enough for critical thinking. And as always, A-Dubz’ valid points are almost completely upstaged by his own verbidinous thesaurification and intense desire to keep his lawn clear of pre-pubescent whippersnappers.

Which is to say, he uses the word “nerd” seven times. Seven. And that’s not counting uses of the term “geek.” And let’s keep in mind, he’s an Ivy League-educated film critic.

Room 237 lets the nerds loose

Comprised of theories spoken by five different Kubrick nerds over an assemblage of movie clips and diagrams by director Rodney Ascher, Room 237 pretends to dissect Kubrick’s 1980 movie The Shining. Ascher’s film—a true mockumentary if ever there was one—is named after the Overlook Hotel suite where little Danny sees Kubrick’s most disturbing visions due to his gift for “shining.” Every nerd wants to shine.

Three times. He used “nerd” three times. And we’re still in the first paragraph, people.

Fans seem unable to recognize the film’s failings and so try to make virtues of its mistakes.  “Kubrick often in many of his movies would end them with a puzzle so he’d force you to go out of his movies saying ‘What was that about?’” So claims one zealot who responds to cinema the way a child reacts to a video game, trusting that the manufacturer cares about his response.

“who responds to cinema the way a child reacts to a video game.” So… joyfully? By calling the other viewers “fag” on a headset? I love the phrase, I’m just not sure what it means. “…trusting that the manufacturer cares about his response.” Again, this is coming from a guy who writes about movies for a living.

Another nerd says “[Kubrick] is like a megabrain for the planet who is boiling down, with all of this extensive research, all of these patterns of our world and giving them back to us in this dream of a movie.”

NERDS! NERDS! NERDS! God, what I wouldn’t give to see Armond White giving some Christopher Nolan fanboy a swirly. I’d like to think Armond could do it without even mussing his cravat.

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Mickey Rourke And Kellen Lutz Are Finally Together In ‘Java Heat’

Written by Ashley Burns / 11.05.12

For the past several years, a combination of my secretive hipster nature and my desire to be a 40-something female writer has made 30 Rock my favorite show on TV. But lately, with the emergence of Happy Endings and 30 Rock’s eminent demise, the joy I once had for Thursday nights has taken a dip. It also didn’t help that 30 Rock has been slowly building up to a Kellen Lutz cameo for quite some time, culminating in the Twilight actor’s derptastic appearance a few weeks ago.

But while we stand dumbfounded in the wake of his success, everything continues to come up Lutz, from his ridiculous modeling with Kate Upton to his unfairly hot girlfriend to his starring role as Tarzan. And apparently the next project on Kellen’s hurrrrizon is the film Java Heat. That is an actual film title, and it amazingly has nothing to do with rival coffee shop owners.

IFC Films has acquired U.S. rights to the action thriller “Java Heat,” directed by Conor Allyn (“Red & White”), and plans a theatrical release for the film. (Via Indiewire)

Dude. Java Heat? Seriously?

“Conor Allyn has masterfully crafted a tour-de-force thrill ride that will be sure to impress both longtime fans of Mickey Rourke and Kellan Lutz,” said Sundance Selects/IFC Films president Jonathan Sehring. “We are extremely excited to be bringing ‘Java Heat’ to audiences across the country.”

Longtime fans of Kellen Lutz. Seriously?

The only redeeming quality for this film would be if Rourke plays the Muslim detective. Because that would just be amazing. You know he’d grow a beard and put a little turban on his cockatoo. Look, I even made a picture of what he would look like…

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NAZI ZOMBIES COMING TO THEATRES

Written by Vince Mancini / 01.22.09

Død Snø, aka Dead Snow, a Norwegian film about Nazi zombies and the møøse who bit their sister, has been picked up by IFC Films. They plan a theatrical release later this year.  I know I like to complain about zombies as a tired concept a lot, but that’s mainly because George Romero keeps trying to pitch them as a timely metaphor.  The makers of Dead Snow clearly realize that zombies are much more effective as a metaphor for a guy getting blood puked on his face, or cutting off his own arm with a chainsaw.  That kind of symbolism is as old as time.  Older, even.


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