George Lucas & The Housing That Spite Built, in Marin County

05.14.12 Written by Vince Mancini

Celebrity neighbor feuds are so common that it even has its own tag. First there was Quentin Tarantino complaining that his coked-up spider monkeys could hardly type amidst the noise of Alan Ball’s minah birds. Then it was Reese Witherspoon’s neighbors pissed about her menagerie of mini-donkeys. And don’t even get us started on Danzig and his infamous pile of bricks. Today, there’s news of a new neighbor feud, a long-running one, this time involving George Lucas and his neighbors in wealthy Marin County, California, just across the Golden Gate from FilmDrunk headquarters.

The long and short of it is, George Lucas wanted to build a state-of-the-art production complex on his ranch in San Rafael, but one of those proto-fascist homeowner’s associations that tells people what they can and can’t do on their own property shut him down. Lucas responded by following through on a threat to use the land for low-income housing instead. And to rich people, low-income housing is worse than warm gazpacho. “Muffy, come quick! The yacht’s covered in negro urine!”

Lucas withdrew his plans last month to build a large mission-style movie-making studio on Grady Ranch, [pictured, courtesy of Movies.com] blaming the Lucas Valley Estates Homeowners Association for being Nimbys and torpedoing it.

Several Lucas Valley Estates homeowners had, in fact, said that they considered the historic Lucas-owned farmland their back yards. They claimed the proposed 263,701-square-foot digital technology production complex was too large, would displace too much dirt, would change the course of a creek going through the area, create too much traffic and hadn’t been studied enough.

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Accompanied by Darth Vader & Storm Troopers, George Lucas’s daughter beats up a 45-year-old woman

02.21.12 Written by Vince Mancini

It’s not the first time we’ve covered it, so by now you should know that Amanda Lucas, Star Wars George’s 30-year-old daughter (according to legend, he pulled her fully formed out of the pouch under his chin) could probably kick your ass. My fellow San Francisco-area jiu-jitsu practitioner had her fifth fight (fifth according to Sherdog, SI says it was her fourth, not sure why the discrepancy) on Saturday night, and even though her opponent was a 45-year-old Japanese pro wrestler who hadn’t competed in MMA since 2000, Lucas weren’t on no mercy mission, and she took that bitch down with a keylock in the third round for her third straight submission victory and the DEEP open-weight women’s title. According to SI, she plans to stay in Tokyo to support teammate Jake Shields at UFC 144 this weekend when he fights Sexyama.

As for Vader and the Storm Troopers, it isn’t always easy to figure out what the hell MMA writers are trying to say, but it sounds like Amanda wasn’t too excited about it, but reluctantly agreed to help promote the 3D Star Wars re-release in Japan. I guess that made her the heel in the fight.

“I’m not walking out with Darth Vader,” clarifies a polite, but adamant Amanda Lucas.
[...]
In October, despite Amanda making specific requests against it, Deep, the Japanese promotion she currently fights for, spliced one of the world’s most-recognized movie themes into her entrance music for her fight against Mika Harigai.
[...]
“Japanese fans are fanatical about Star Wars. I get it and I appreciate it,” the 30-year-old Amanda said. “I’m very proud of my family and my father’s accomplishments. It’s just about finding that good balance.”
[...]
One can draw conclusions from this matchup choice. Japanese audiences appreciate “good vs. evil” storylines in MMA as much as they do in pro wrestling. Amanda, a media darling at this point, said she wouldn’t be surprised if Darth Vader accompanies Motta to the cage. It won’t be a distraction; she respects that pageantry is encouraged in many facets of Japan’s culture, including its sports.

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Weekend Movie Guide: George Lucas Needs Another $500 Million, C-Tates in 50 First Tates

02.10.12 Written by Burnsy

MAAAAAAAAAAAAAAKE OUT!

Opening Like a Flower in the Morning Sun: Star Wars: Episode 1 – The Phantom Menace (in 3D), The Vow, Safe House, Journey 2: The Mysterious Island

FilmDrunk suggests: “I’m already in your head.” Go see Safe House. (This suggestion brought to you by the early nominee for the 2012 Taylor Lautner Line That Makes Me Laugh Every Time I See the Movie Trailer.)

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George Lucas says Greedo ALWAYS shot first, you were just confused

02.10.12 Written by Vince Mancini

"Georgie needs the potty."

George Lucas has been on a good vibes publicity tour trying to get people to see him as human and not as The Monster Who Ruined Star Wars ever since the run up to Red Tails. To my surprise, it actually seemed to be working, and people were buying his line of BS that black people need crappy movies too and that his uncredited remake of that other Tuskeegee Airmen movie was actually a victory for Civil Rights. But today his 3-D Episode I re-release gets re-released, and it’s nice to have the old Lucas back, the one who needs endless money to fill his neck pouch and molests children’s dreams on his Racecar Bed, with cat bones strewn about the room.

Just to drive the point home, he’s back talking about how Greedo shot first. Only now he says Greedo ALWAYS shot first, and if you thought otherwise, you were just confused.

THR: People can get fanatical about the movies — how does that make you feel? The puppet vs. CGI Yoda ruckus, and the who-shot-first, Han Solo or Greedo furor come to mind.

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Box Office: Kate Beckinstail over Red Tails, Marky Mark over 9/11, 9/11 over Gina

01.23.12 Written by Vince Mancini

George Lucas’s black guilt campaign failed over the weekend, as Red Tails‘ “foolish Africans” were no match for Kate Beckinsale’s hot ass fighting werewolves (or is it vampires?) in Underworld: Awakening. Underworld and Red Tails went one and two, while Marky Mark once again stopped 9/11, with Contraband beating out Extremely Loud and Incredibly Close for the three spot (“HOW YOU LIKE THOSE WAHLBURGAHS, LOOZAH! GO PATS!”). Meanwhile, poor Gina Carano and Haywire opened lower than even Tom Hanks’ 9/11 film. It’s okay, baby, you still explode my tower, if you know what I mean. (I am so, so very sorry for that).

Red Tails rated 33% among critics, but received an A grade from audiences (via cinemascore), almost the inverse of Haywire‘s 82% among critics and D+ on cinemascore. Audiences apparently were so happy to see black war heroes that they ignored lines like “Die, you foolish African,” and “I guess there’s more to you coloreds than I thought!”, while critics failed to recognize that a movie that isn’t bad isn’t the same thing as one that’s good. Red Tails did an incredible job convincing black people that it was their duty to see a crappy movie because it had black people in it, while MMA fans tried to do the same with Haywire.

I’m not a black dude, so I can’t really speak to the Red Tails guilt campaign, but I’m pretty sure there were black movies before this, and there will be plenty after it, whether or not we give George Lucas our money for his uncredited remake of The Tuskeegee Airmen. But as a die-hard MMA fan, I can tell you that if I was in the habit of seeing movies just because MMA stars were in them, there are plenty of Hector Echavarria movies I could rent.

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