Documentary filmmaker tired of the gub-ment jacking her stuff

04.10.12 Written by Vince Mancini

Okay, I admit, silly headline for a sort-of serious post. Salon‘s Glenn Greenwald has an interesting piece about Laura Poitras, a documentary filmmaker who has made two documentaries about various aspects of the War on Terror and is working on a third. Basically, every time she re-enters the country, she gets interrogated for hours and has all her equipment siezed and copied. This requires no search warrant, because even though she has never been accused of a crime, the government, from a legal standpoint, is considering all of her equipment (laptop, hard drive, notes, etc.) to be subject to the same kind of search baggage handlers do on your bags.

In 2004 and 2005, Poitras spent many months in Iraq filming a documentary that, as The New York Times put it in its review, “exposed the emotional toll of occupation on Iraqis and American soldiers alike.” The film, “My Country, My Country,” focused on a Sunni physician and 2005 candidate for the Iraqi Congress as he did things like protest the imprisonment of a 9-year-old boy by the U.S. military. At the time Poitras made this film, Iraqi Sunnis formed the core of the anti-American insurgency and she spent substantial time filming and reporting on the epicenter of that resistance. Poitras’ film was released in 2006 and nominated for the 2007 Academy Award for Best Documentary.

As Poitras described it to me, this next film will examine the way in which The War on Terror has been imported onto U.S. soil, with a focus on the U.S. Government’s increasing powers of domestic surveillance, its expanding covert domestic NSA activities (including construction of a massive new NSA facility in Bluffdale, Utah), its attacks on whistleblowers, and the movement to foster government transparency and to safeguard Internet anonymity.[...]

Since 2006, Poitras has left and re-entered the U.S. roughly 40 times. Virtually every time during that period she has returned to the U.S., her plane has been met by DHS agents who stand at the airplane door or tarmac and inspect the passports of every de-planing passenger until they find her. Each time, they detain her, and then interrogate her at length about where she went and with whom she met or spoke.
She has had her laptop, camera and cellphone seized, and not returned for weeks, with the contents presumably copied. On several occasions, her reporter’s notebooks were seized and their contents copied, even as she objected that doing so would invade her journalist-source relationship.[...]

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‘Monumental’: Kirk Cameron dreams of a more Reagan-y ‘Murica

01.26.12 Written by Vince Mancini

Kirk Cameron is worried about where this country’s headed. Not only is our president a part-negroid socialist who burns bibles to keep pagan babies warm, hardly anyone came to Kirk’s birthday party (except Belinda- GO OUTSIDE BELINDA! Sandwiches aren’t for sinners! I heard you humming that Dixie Chicks song!). That’s why Kirk is on a journey through history to find out what made America great once. Specifically, he tours the alternate history version of the 80s as envisioned by Ronald Reagan fan-fiction, and the part of the Founding Father story that doesn’t mention that almost none of them were Christians. This journey is chronicled in Kirk’s new documentary, Monumental, the trailer for which you can watch below.

But who am I kidding? The real draw is Kirk Cameron and his incredible reaction shots. No one wordlessly conveys humility before Christ like Kirk Cameron. He should become the Andy Serkis of Christian movies, where WETA uses Kirk Cameron covered in performance-capture censors to imbue each performer with the spirit of Jesus. It’s just too bad those black tights are a sin. Not to mention pre-marital mo-cap.

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Wait, did you say ‘stop-motion robot porn?’ Hold all my calls.

01.16.12 Written by Vince Mancini

I’ve said this a million times before, but if there’s one type of film I wish we could see more of at the local theater, it’s documentary shorts. Narrative features are crappy 80 percent of the time, while documentary shorts waste half your time and are almost never bad. This one, called “The Meaning of Robots,” premieres this Friday at Sundance, and – and I swear to God this isn’t unearned hyperbole – it looks amazing. AMAZING, I TELL YOU! (*puts cigar out in scotch, rushes off to stop the presses*)

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The Roger Corman Documentary Looks Great

12.16.11 Written by Burnsy

If you’re unfamiliar with Roger Corman, you need to stop what you’re doing because I’m about to ruin and jump on Netflix to find anything that he’s done and watch it twice. He’s the Academy Award-winning king of low budget B-films and possibly the hardest working man in show business history. He has produced nearly 400 films since 1954, and he directed another 56 between 1955 and 1980. And you can learn all about his career in Corman’s World: Exploits of a Hollywood Rebel, which is being released today by Anchor Bay Films after it debuted at Sundance earlier this year to rave reviews.

Corman’s World covers Roger’s glory years and features exclusive interviews with not just the usual suspects Jack Nicholson, Martin Scorsese, and Ron Howard, but also Quentin Tarantino, Eli Roth, Paul W.S. Anderson, and Brett Ratner, to name a few.

(Via Deadline)

Corman’s most important films (The Wild Angels, The Trip, Big Bad Mama, Rock ‘n’ Roll High School, etc.) were made decades ago, but he has managed to remain relevant not only through his iconic cult status, but also the fact that the dude doesn’t stop making movies. He produces 2-3 movies per year these days, and his latest efforts include the best movies ever shown on TV – Piranhaconda, Dinoshark, Dinocroc vs. Supergator and, of course, Sharktopus.

Between Corman’s World and Worst in Show, this could be the greatest year ever for documentary films.

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Errol Morris’s JFK assassination short: The Umbrella Man

11.22.11 Written by Vince Mancini

Today is the 48th anniversary of the JFK assassination, and while I think it’s pretty obvious that the mob did it, conspiracy theories still abound (I don’t really consider the mob a “conspiracy theory” per se). With the number of theories increasing every year, acclaimed documentarian Errol Morris took a different approach this short (which you can watch below), choosing instead to focus on the idea that the more you focus on one strange aspect of a story, the more sinister it can become as you get further removed from the event. He uses as an example of this phenomenon the “Umbrella Man,” a man standing along the parade route on November 22nd, 1963 who was photographed from a few different angles holding a big, black umbrella, even though it was clearly a sunny day. WHAT’S WITH THE UMBRELLA, FREAKSHOW? ARE YOU ALLERGIC TO AWESOME TANS?

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