Sorkin, Jackman, & Elfman Doing a Musical about Houdini

11.03.10 Written by Vince Mancini

Hugh-Jackman-Houdini

Sorkin, Jackman, and Elfman, who sound like some sort of Cosplay porn version of Justice League, are working together on a Broadway musical about Houdini.  Hugh Jackman will play the lead, Aaron Sorkin will write the script, and Danny Elfman will compose the score.  Sources say Sorkin will draw his inspiration from the real life of Harry Houdini, and then add Hugh Jackman singing gay songs.

An impressive creative team has quietly assembled around the project, including playwright Aaron Sorkin, composer Danny Elfman, lyricist Glenn Slater, and director Jack O’Brien — and despite repeated delays, Elfman says work on Houdini is now well underway.
Next up is a first reading of the script, scheduled for January. After that, Elfman estimates that the show could open in early 2012 — though we wouldn’t be surprised to see it on Broadway even sooner if the reading goes well. [Popwatch]

I won’t pretend I understand musicals.  Maybe it would help if they stopped making musicals about absolutely anything.  But I am interested in the idea of Aaron Sorkin writing one.  Seems like Hugh Jackman’s major challenge will be his ability to carry a tune with the back-up singers constantly interrupting him to clarify something he sang three lines ago.

"Help, I cahn't escape from me collah, lol."

"Help, I cahn't escape from me collah, lol."

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STUDIO STILL MOLESTING WOLF MAN

11.11.09 Written by Vince Mancini

(It’s like the artist was inside my head!)

Most people know Danny Elfman as the famous composer responsible for the music on Tim Burton movies and The Simpson‘s theme song — though to me and Roman Polanski, he’ll always be the guy who sang “I Love Little Girls“.  Elfman recently composed an entire score for the new Wolf Man starring Benicio Del Toro, but according to Cinemusic, none of it will be used.  And this is after the film already lost original director Mark Romanek because of creative differences.

Elfman has already written and recorded what, by all accounts was a traditional, grandly gothic effort a la Kilar’s Bram Stoker’s Dracula. Ultimately, it appears at this point that none of it will be used in the film. Rather than have Elfman come back and make changes due to major picture rehauls (and likely with his hands full scoring Tim Burton’s Alice in Wonderland, he is unavailable), Cinemusic has confirmed that Paul Haslinger (Death Race 2000) will step in and record an entirely brand new score.

Firstshowing claims the change is due to Universal not liking Elfman’s score, even though he was new director Joe Johnston’s top choice:

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