Pictured: They don't know how she does it.

And now for your daily dose of easy Schadenfreude, the top 15 flops of 2011. While it’s easy and fun to tap dance on the grave of most of these ass piles (pour a little rum out for The Rum Diary – *I* liked it), remember: justice won’t truly be served until everyone involved in the making of New Year’s Eve gets shot out of a cannon.

1. Mars Needs Moms
Studio: Disney
Release Date: March 11, 2011
Budget: $150 million
Worldwide Gross: $39 million

2. Sucker Punch
Studio: Warner Bros.
Stars: Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens
Release Date: March 25, 2011
Budget: $82 million
Worldwide gross: $89.8 million

3. Arthur
Studio: Warner Bros.
Stars: Russell Brand, Helen Mirren, Jennifer Garner
Release Date: April 8, 2011
Budget: $40 million-plus
Worldwide Gross: $45.7 million

4. Green Lantern
Studio: Warner Bros.
Stars: Ryan Reynolds, Blake Lively
Release Date: June 17, 2011
Budget: $200 million
Worldwide Gross: $219.9 million

5. Cowboys & Aliens
Studio: DreamWorks/Universal
Stars: Daniel Craig, Harrison Ford
Release Date: July 29, 2011
Budget: $163 million
Worldwide Gross: $178.8

6. Glee: The 3D Concert Movie
Studio: Fox
Stars: Lea Michele, Chris Colfer, Darren Criss
Release Date: Aug. 12
Budget: $9 million
Worldwide Gross: $18.7 millon

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It's funny because you can just never get a taxi in New York City!

This weekend marked the worst overall box office gross since September 19, 2008, as Americans only spent $67.8 million to see such instant classics like New Year’s Eve, The Sitter and some other movies that you’ll never see. Despite finishing first with $13.7 million in revenue, the biggest flop was New Year’s Eve, the insulting holiday collaboration produced by Satan [*cough* AL-QAEDA RECRUITMENT VIDEO! *cough, cough* -Vince]. The film cost $56 million to make, and I apologize if that just cause a vein to explode in your head.

And if you’re upset that New Year’s Eve still made almost $14 million, you can place the blame on women.

The movie, directed by Garry Marshall, stars Michelle Pfeiffer, Zac Efron, Robert De Niro, Halle Berry, Seth Meyers, Alyssa Milano, Jessica Biel and others. Women saw the movie in far higher numbers than men. Fellman said 70 percent of the audience was made up of women.

It is a follow-up to Marshall’s 2010 hit “Valentine’s Day,” which also featured big stars in short vignettes and went on to gross $216.5 million on a $52 million budget. (Via Yahoo!)

On one hand, I’m sort of proud that moviegoers learned from their past mistake of paying to see Valentine’s Day. But on the other hand, I’m concerned that 30% of the people who saw this film were men. I’ll hold out hope that the majority of men who saw this were being punished by their wives and girlfriends for dropping a grand at a strip club on Friday night, because that’s about the only excuse I’ll accept.

More than anything, we should hope that Garry Marshall quits it with these ensemble chick flicks that try to make us believe that holidays can still be magical. If we’re lucky, maybe his next project will be called Thanksgiving, and the entire cast gets trampled to death at a Target the next day. Or at least he can make Saturday Night Live’s The Apocalypse. [It would've done better if they'd taken my suggestion about replacing the cast with Terrence Howard in different hats. -Vince]

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Steven Soderbergh’s Contagion led all others at the box office over the weekend, knocking off The Help for the first time in three weeks, proving that the only thing America loves more than a hot white chick curing racism (THAT MAID’S CHANGIN’ YER LAAHFE) is watching Gwyneth Paltrow succumb to a mysterious disease (check out the new goop.com newsletter for the latest in designer rubber gloves and shabby chic sneeze guards).

Meanwhile, proving that no one listens to Peter Dante, no one went to see Bucky Larson: Born to Be a Star, despite all his advice to the contrary. The Happy Madison product opened all the way down at number fifteen, with  $1.45 million. That was less than half of Happy Madison’s previous lows, Strange Wilderness and Grandma’s Boy (the latter of which was actually pretty decent, strangely). But it wasn’t ALL bad news, as Bucky Larson is currently tracking 0% on rottentomatoes.

FUN FACT: The average showing of Bucky Larson had slightly more than eight people. You could get more people to a fake funeral.

It’s a shame, because I always thought Nick Swardson was the funniest one in that crew. But also not a shame, because Bucky Larson looked like a Mexican sitcom (and not in a good way, where all of the women have preposterously ample cleavage). If Jack and Jill does this poorly when it opens in November, maybe Sandler can finally stop with this lowest common denominator experiment and get back to making comedy. I know, I know, I’m totally that YOU’VE CHANGED, BRO guy. But even conceding that I was thirteen at the time, I refuse to believe that “The Buffoon Meets the Dean of Admissions” wasn’t a watershed moment in comedy. “I LOOKED AT MY ASSH*LE IN THE MIRROR TODAY,” is my generation’s “Who’s On First.” I remember where I was the first time I heard “MY NEIGHBOR’S DOG HAS A FOUR-INCH CLIT” like it was the goddamned Kennedy assassination.

(full top 10 after the jump)

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Found this on a Google Image Search for "floppy boobs"

Reuters/Hollywood Reporter released their list of cinema’s biggest bombs of 2011 so far (based on production budget {not including marketing} minus worldwide gross). Considering one of them was the Jodie Foster-directed Beaver, it’s a miracle I managed to make it through this entire headline without using the phrase “Jodie Foster’s Beaver flop.” Sites kill to own that kind of big-money search term. But that’s why I wear this diamond-encrusted necklace that says “RESTRAINT.”

1. MARS NEEDS MOMS
Robert Zemeckis’ motion-capture pic was one of the most expensive bombs in Hollywood history, costing at least $150 million to produce and grossing $21.4 million at the domestic box office. Overseas, it didn’t do much better, grossing $17.6 million for a total $39 million.

2. YOUR HIGHNESS
The raunchy comedy, set in medieval times, didn’t go over well with audiences, even if it starred newly anointed Oscar winner Natalie Portman (along with James Franco and Danny McBride). Costing $50 million to produce, the film earned $21.6 million domestically and a paltry $3 million overseas. [Editor's Note: I liked it, and I'm not ashamed to say it.  It was a throwback to dumb comedy before dumb comedy became Kevin James mugging and falling down. But as they say, this is why we can't have nice things.]

3. ARTHUR
The remake of the classic Dudley Moore comedy failed to rustle up many laughs, topping out at $33 million domestically. Starring Russell Brand, Helen Mirren and Jennifer Garner, “Arthur” did even less overseas, earning $12.7 million for a global total of $45.7 million. The production budget was reportedly $40 million.

4. PROM
“Prom,” earning a mere $10.1 million at the domestic box office, was the first movie greenlit by newly installed Disney chairman Rich Ross to hit theaters. It’s the lowest grossing studio film of the year so far, but luckily for Ross, “Prom” cost only $8 million to produce.

Rich Ross is the same guy who killed The Proposal 2, Wild Hogs 2, and a Robin Williams vehicle called “Wedding Banned,” and for that he earns my undying respect.

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"TURN IT SIDEWAYS!"

Troubling news out of Sundance today, friends. It seems that Channing Tatum’s film The Son of No One has been met with less than stellar reviews. In fact, people walked out of its very important screening, including a number of studio execs. There’s just no respek in this Hollywood game these days.

The film, about a young cop (Tatum) who finds himself embroiled in controversy that could tear his family apart, features heavy star power, including Ray Liotta, Al Pacino, Katie Holmes and Tracy Morgan, which indicates that there should still be a demanding market for Son, despite people crapping all over it yesterday.

C-walk out of my theater, Hollywood Reporter…

Though the theater wasn’t full, the room was crowded with acquisitions execs wanting an early look at the film. Reps from Samuel Goldwyn, Paramount, Summit, the Weinstein Co., Sony Pictures Worldwide Acquisitions Group, IFC Films, Morgan Creek, Screen Media, Miramax and Relativity made it into the theater by the film’s opening credits.

Some of them, however, were gone well before the end credits. In addition, enough regular audience members left early for one observer to describe it as an “exodus.”

Baloney. Pure baloney. I’m so angry right now that I could just cuss. But I won’t because I know that this movie is going to be a success. Even worse, I’m going to have to explain this to my good friend C-Tates, because he actually sent me this link with the following message:

“YEEEEEEEEEEEEEEEAH BOYYYYYYYYY, C-TATES IS DA MUTHA F*CKIN’ BOMB, YO!”

Poor guy. At least the poster lists some of the more positive reviews…

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