
A bird for a bird. Well played ‘Birdemic’, well played.
*stands up, clears throat, wipes sweat from brow*
Hello everybody, my name is Chodin…and I….I’ve seen Birdemic: Shock and Terror.
Phew, now that I’ve gotten that out of the way, I think it should suffice to say that I’m an expert when it comes to watching movies about renegade birds that sh-t fireballs. That said, I’d like you all to know that there are really only two appropriate environments in which one can experience Birdemic. The first would be from a hospital bed, as you lay there helplessly with a brain hemorrhage, waiting for the good Lord to finish you off. The second reasonable setting would be inside a cramped theater, fifteen minutes past midnight, while chugging 12 ounces of “movie reviewing juice” from a Tecate Light can. I, my friends, have taken the latter.
I came, I saw and then I came again, during what quite possibly may have been the most absurd, yet enjoyable, screening of my having-been-to-so-few-screenings career. Like a movie night for the patients of Shutter Island, the screening for Birdemic: Shock and Terror was a god—mn madhouse. The entire night my eyes darted back and forth between the unruly audience and the theater ushers, just waiting for one of them to give me the go ahead nod to start cutting up the seats. I mean, f—k me running, I had no idea, NO IDEA, of the emotions that Birdemic could cattle prod from its audience. Werewolves we were, every last one of us.
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