
(This is an extended version of a review originally written for the Portland Mercury)
I can’t decide whether The Big Wedding is a bad rom-com or if it’s actually a brilliant prank on the genre. When boring yuppie women plunk down their money for another beige Katherine Heigl movie with ‘Wedding’ in the title, I can’t imagine they expected to see Robert DeNiro going down on Susan Sarandon in the first scene, DeNiro filmed in POV from the perspective of Susan Sarandon’s vagina, him licking his lips like he’s craving a french dip sandwich with extra jus, his leering face peering over the tops of her pulled-down panties framed between the twin peaks of her splayed knees. I like to imagine a whole bachelorette party of them, holding each other’s hair back, puking cosmos in the bushes, crying and slobbering over the bait and switch. “WHAT THE F, LINDSAY, I THOUGHT YOU SAID THIS WAS A WEDDING MOVIE!” (*spew*)
It feels almost as if writer/director Justin Zackham wanted to make this slyly subversive sex comedy for grandparents - “American Pie for sexagenarians,” as my old buddy Laremy described it – but was only allowed to if he cloaked it in the trappings of a generic rom-com, throwing it off the tallest rom-com tree and hitting every cliché on the way down. The result is a bizarre amalgam in which a 69-year-old Robert DeNiro brags about “laying pipe” on Diane Keaton and calls her “one of the great c*nts of the 19th century” all within the context of a wedding rom-com that otherwise could’ve been Frankensteined together from outtakes of Love Actually and She’s Just Not That Into You.
Here’s an abridged list of rom-com tropes present in The Big Wedding:







