The Academy late yesterday released a list of some 75 songs that will be eligible for the Best Original Song Oscar when the nominations are released January 10th. The full list is after the jump, and there are a number of fascinating, thought-provoking, eyebrow-raising, and intriguing possibilities, but let’s face it, the only one that matters is “Ladies of Tampa,” which Matthew McConaughey not only co-wrote, but predicted would eventually be nominated for an Oscar. The man is a shirtless, greased up oracle.

Entertainment Weekly described the background of the song in piece slideshow back in July:

Dallas’ goodbye to ”Ladies of Tampa” (Part 1)
In the original script, Matthew McConaughey’s character, club owner Dallas, did not have a stripping scene. But McConaughey not only wanted one, he knew exactly how it should play out: He’d begin by serenading the women from the stage with a slow song. Music supervisor Frankie Pine suggested she and McConaughey pen the tune with Martin Blasick, McConaughey’s guitar coach. They wrote ”Ladies of Tampa” in about three hours at McConaughey’s hotel. ”The song is silly as hell, but Matthew swears it’s gonna get nominated for an Academy Award. He keeps telling me I have to pick out my dress,”’ Pine says, laughing. ”And you know what, I am gonna submit it.”

If you were in a hotel room with Matthew McConaughey for three hours, I doubt writing a song was the only thing that happened, alright alright alright.

Anyway, you can check out the full list below. I don’t want to spoil anything, but the scene where Abraham Lincoln went in front of congress and sang “Beans Beans The Musical Fruit” accompanied by foot stomps and armpit farts totally got snubbed. What crap, Day-Lewis acted the hell out of that scene.

The press release, via Movieline:

BEVERLY HILLS, CA – Seventy-five songs from eligible feature-length motion pictures released in 2012 are in contention for nominations in the Original Song category for the 85th Academy Awards®, the Academy of Motion Picture Arts and Sciences announced today.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film and song title:

“For You” from “Act of Valor”
“Metaphorical Blanket” from “Any Day Now”
“Let It Rain” from “Being Flynn”
“Learn Me Right” from “Brave”
“Touch the Sky” from “Brave”
“Airport” from “Brooklyn Brothers Beat the Best”
“Come on Girl” from “Brooklyn Brothers Beat the Best”
“Someday” from “Brooklyn Brothers Beat the Best”
“Protect the King” from “Brooklyn Castle”
“California Solo” from “California Solo”
“Casa De Mi Padre” from “Casa De Mi Padre”
“Del Cielo” from “Casa De Mi Padre”
“Yo No Se” from “Casa De Mi Padre”
“No Other Plans” from “Celeste and Jesse Forever”
“Before My Time” from “Chasing Ice”
“By the Light of the Moon” from “Crossroad”
“The Sambola! International Dance Craze” from “Damsels in Distress”
“When You Comin’ Home” from “Darling Companion”
“Death by China” from “Death by China”
“Delhi Safari” from “Delhi Safari”
“Ancora Qui” from “Django Unchained”
“Freedom” from “Django Unchained”
“100 Black Coffins” from “Django Unchained”
“Who Did That to You?” from “Django Unchained”
“How Bad Can I Be?” from “Dr. Seuss’ The Lorax”
“Let It Grow” from “Dr. Seuss’ The Lorax”
“Thneedville” from “Dr. Seuss’ The Lorax”
“Ain’t No Train” from “Downtown Express”
“You Don’t Have to Be a Star” from “Fame High”
“Jose’s Martyrdom” from “For Greater Glory: The True Story of Cristiada”
“Strange Love” from “Frankenweenie”
“Voodoo” from “Halloween Party”
“Luna Nascosta” from “Hidden Moon”
“Song of the Lonely Mountain” from “The Hobbit: An Unexpected Journey”
“Abraham’s Daughter” from “The Hunger Games”
“Master of the Seas” from “Ice Age Continental Drift”
“We Are” from “Ice Age Continental Drift”
“Looking for a Sign” from “Jeff, Who Lives at Home”
“From Here to the Moon and Back” from “Joyful Noise”
“He’s Everything” from “Joyful Noise”
“I’m Yours” from “Joyful Noise”
“Wide Awake” from “Katy Perry: Part of Me”
“Cosmonaut” from “Lawless”
“Beaten Up and Broken Down” from “Least among Saints”
“Suddenly” from “Les Misérables”
“Pi’s Lullaby” from “Life of Pi”
“When I Grow Up” from “Losing Control”
“Love Always Comes as a Surprise” from “Madagascar 3: Europe’s Most Wanted”
“Ladies of Tampa” from “Magic Mike”
“The Baddest Man Alive” from “The Man with the Iron Fists”
“This Gift” from “The Odd Life of Timothy Green”
“Still Alive” from “Paul Williams Still Alive”
“Dotted Line” from “People Like Us”
“Snake Eyes” from “Promised Land”
“Razors.Out” from “The Raid: Redemption”
“I’m Not Leaving” from “Re:Generation”
“Still Dream” from “Rise of the Guardians”
“Undercover Love” from “Rock of Ages”
“Big Machine” from “Safety Not Guaranteed”
“I Be Here” from “Saint Dracula”
“I Have Secrets” from “Saint Dracula”
“Skyfall” from “Skyfall”
“Breath of Life” from “Snow White and the Huntsman”
“Gone” from “Snow White and the Huntsman”
“One Wing” from “Sparkle”
“Not Running Anymore” from “Stand Up Guys”
“Feel Love” from “Struck by Lightning”
“Everybody Needs a Best Friend” from “Ted”
“Never Had” from “10 Years”
“Dull Tool” from “This Is 40″
“She Won’t Let Go” from “Until They Are Home”
“Kiss Me Goodbye” from “Virginia”
“Anything Made of Paper” from “West of Memphis”
“Hashishet Albi” from “Where Do We Go Now?”
“When Can I See You Again?” from “Wreck-It Ralph”

During the nominations process, all voting members of the Music Branch will receive a Reminder List of works submitted in the category and a DVD copy of the song clips. Members will be asked to watch the clips and then vote in the order of their preference for not more than five achievements in the category. The five achievements receiving the highest number of votes will become the nominations for final voting for the award.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy, if you screw this one up, so help me I’ll… I’ll… well, I’ll continue to regard you with approximately the same level of contempt is probably what I’ll do.