I’m not going to falsely eulogize him by pretending that I read his reviews (they seem okay), but long-time Village Voice film critic J. Hoberman (I’ll admit I have sort of a knee-jerk dislike for newspaper writers who use initials as a first name) has been s-canned after 34 years with the paper. Here’s S.T. VanAirsdale’s succinct recap:
Fun fact: Hoberman’s 34-year relationship with the Voice commenced with a high-low glimpse at David Lynch’s experimental blast Eraserhead (“Eraserhead‘s not a movie I’d drop acid for, although I would consider it a revolutionary act if someone dropped a reel of it into the middle of Star Wars“) and concluded this week with a high-low glimpse at Ken Jacobs’s experimental blast Seeking the Monkey King (“This homemade slingshot has the capacity to resist and pulverize the idiotic visual aggression of a commercial behemoth like Transformers. It’s a ’60s vision happening today—beautiful, terrifying, and determined to storm the doors of perception”). |Movieline|
Those seem to me the kind of reviews that say a lot more about the critic than they do the movie he’s watching, but I realize not everyone’s a low-brow shitheel like myself. Anyway, it’s not like he’s dead, just probably moving to a medium that has the money to pay him. Mainly, I was aware of him as the guy Armond White thinks is racist. Is that unfair to Hoberman? Probably, but you find me something funnier than two peacocking New York intellectuals in a feud. “THERE’S BEEN A BLOODLESS COUP! THE BULL MOOSE FILM APPRECIATION SOCIETY OF THE 1962 WORLD’S FAIR HAS A NEW LEADER!”
Here’s video of Armond White talking about the beef:
The gist: “I’m not paranoid, Hoberman and Schwarzbaum don’t like me. …And I do think that part of them not liking me is that I’m the only black man in the room.”
My favorite bit: “…And though I made some snarky comments here recently, essentially, I don’t want to talk about them as people, because I loathe them.”
I love that quote so much I want to buy it a puppy and meet its family. Armond White is a master of defying your expectations. “I know I made some jokes today…” and here you expect him to say how much respect he still has for the people he was joking about… “…but what I really meant to say is that I hate them and I wish that they were dead.”



I find it frighteningly bizarre that Armond White looks how I’d imagine British Bill Cosby to look.
All I know is that, between the photo of Armond White with the sideways glance and J. Hoberman’s photo above, we’ve got two people here that are pretty damn sure that you just farted.
Hah. I first heard of hoberman when he wrote a completely unintelligible review of Speed Racer (the Wachowski one) and I made fun of it online, leading to his editor at the newspaper chiming in and accusing me of being anti-intellectual in a series of increasingly pretentious attacks:
[jonson.wordpress.com]
* slow clap *
that was awesome…. what a fucking DOUCHE, that guy! You handled it with Balzacian aplomb.
Someone tell Mr White that racism is over: Black President.
Ebert wants in on this hot film critic jawboning action!
My favorite quote: “Its largely intellectual jealous. Because I know my shit, and they know I know my shit.”
*kisses fingers* beautiful.
jealousy*
Absolutely beautiful. I can’t stop smiling as I rewatch him say those two sentences, over and over.
I don’t dislike Armond White for the color of his skin, I dislike him for the content of his character. Martin Luther King would be proud (and he’d probably agree with me, too).
Not only do they inexplicably hate him for his melanin content, but they ridicule him because he’s so goddamn brilliant they can’t stand it. Hard out here for a critic.
I met Armond White at a holiday party and as as a long time FD reader I felt it was my duty to strike him up in conversation. He is, in a word, delightful. I told him I was a big fan of cinema, he said “hey, that’s great!” and smiled. He seemed warm, asked me about what recent movies I liked (this was Christmas 2010) and was all smiles. Now, he could have been smashed or on Quaaludes for all I know but he really was a big black teddy bear.
That being said, from afar he is a scary looking mofo.
No membership is more honorable and sacred than the union of brotherhood that is the New York Film Critics Circle.
I used to run across a Hoberman review from time to time whilst thumbing the VV personals. Unless he’s responsible for the phrase two hungry to fill — and I’m guessing not — totally unremarkable.
very sorry, two hungry holes to fill
*sarcastic hand-wanking motion*
More like J. Unemployederman amiright?