Mary Harron‘s film adaptation of American Psycho is eleven years old now, and people have heard of it, so I suppose a remake was inevitable. While I’d be the first one to tell you that the book is better than the movie, Christian Bale captures Patrick Bateman in such a way that it’s impossible not to see his face and hear his voice when you re-read it (I’d say the same thing about the character Jack Black plays in High Fidelity). Sadly, nothing is sacred in this town, not even a hot buff dude killing whores with a chainsaw. (*old Indian sheds a single tear*)
Lionsgate has tapped Noble Jones to write and direct a reimagining of “American Psycho” that will go back to Bret Easton Ellis’ 1991 satirical novel, which Mary Harron previously adapted in 2000 as a feature starring Christian Bale.
Low-budget project, which has not yet been greenlit at Lionsgate, is currently in the early stages of development at the studio.
I asked a Lionsgate exec exactly how low a budget they were thinking, but he just told me to feed him a stray cat.
Set in Manhattan during the Wall Street boom of the late 1980s, “American Psycho” concerns the daily life of Patrick Bateman, a wealthy investment banker by day who becomes a homicidal maniac by night.
Jones pitched the project to Lionsgate several months ago and recently turned in a script that explores how Bateman would fare in modern day Gotham.
A protege of David Fincher, Jones is a commericals and music video helmer who served as second unit director for the Boston-shot scenes in Fincher’s award-winning drama “The Social Network.” [Variety]
So it’s a low-budget remake, from a first-time director, set in modern times, where Patrick Bateman probably works for Goldman-Sachs and spontaneously launches into long-form, quasi-critical analyses of Drake and Rihanna? Jesus Christ, that sounds awful. I asked a Lionsgate exec what could possible possess a person to allow something like this, and he just gritted his teeth and enunciated carefully, “Because. I want. To fit. In.”
I’d rather eat at Texarkana. And that place is a shithole.
“Hey, Paul, is that Selena Gomez over there?”




Books are always inferior to movies.
In books you have to imagine the penetration.
Not if you cut a big enough hole through the middle, Rapier.
Taking American Psycho out of the 80s is like taking the fat out of bacon, the cheese off of pizza, the skin off of fried chicken, the vegetables out of a salad, the milk out of ice cream, the guitars out of heavy metal. It’s point of existing is to show a reflection of the 80s excess.
Really? The put “Bateman” and “Gotham” in the same article? In this version, is he going to be quite a “joker?” I suppose he kills a homeless man during a particularly “dark night.” STOP CONFUSING ME!
I was expecting the Kermit/American Psycho Bale side by side pictures after the jump. Come on Vince, you’re better than that.
[www.tubechop.com]
Was that really a Lionsgate exec you spoke to, or just George Lucas?
NOooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo……………………………………………….Why do they ruin all the things?
No one bangs a whore and flexes in a mirror like Bale.
They should have C-Tates play Bateman, hardest twerkin playa on tha market.
How is modern day Bateman going to get out of awkward situations?
“I have to return some…downloads.”
“You like the Jonas Brothers?”
Well, I took a look at your script . . .
Don’t just look at it. EAT IT.
Greenlight that baby!
Too soon Hollywood, too soon…
Just say no…
Somewhere deep in the Lionsgate studios an exec is screaming at Andy Serkis “Don’t just look at it, eat it!” as he stuffs his mouth full of ping pong balls.
Lionsgate, you’re just not terribly important to me.
“Integrity get down on you knees so the consumer can see your asshole.”
man, at least no one’s exploiting the devastating financial crisis by remaking “Wall Street”
If they’re going to reboot it they should go all out and flip stuff around. Maybe make the psycho character a woman instead of a man… And you could cast a young star who’s hot right now, like, say, Mila Kunis… Man, now that’s the recipe for an awesome sequ- Reboot.
Listen, you’ll have to excuse me. I have a lunch meeting with Horatio Caine at the Four Seasons in 20 minutes.
“a script that explores how Bateman would fare in modern day Gotham.”
They went on to say, “So he’ll hunt prostitutes, because they can take it [anally].”
I guess you can say that this movie is the movie we deserve, but not the one we need right now.
If they can get Nic Cage smoking crack and talking to an iguana in it, might not be so bad!
Why not? They’re remaking the Spider Man movies even though they…uh…kind of just made them. They’re already talking about rebooting Batman and Christian Bale’s cowl isn’t even cold yet. Maybe they should just make two versions of EVERY movie at the same time, and just release them at the same time. Remake them WHILE you are making them. That way we just get it out of the way early.
Can’t they re-imagine it in the 1920s instead?
I’m sick of movies always being updated and modernized. I want them unmodernized and whatever the opposite of updated is. I want to see bitches cut up with one of those giant two man tree saws.
I just got a great idea.
I’m going to re-imagine Transformers in the year 1879.
“Paul Allen can’t be dead. I just tweeted a picture of me and him in London.”
i fell on the floor at “Hey, Paul is that Selena Gomez over there”.. hahaah. this is such terrible news.
Do you like Kelly Clarkson?
I haven’t been a fan of any American Idol winner with the exception of her. Too teen oriented. Despite the success of her debut album, Thankful, it’s her second album, Breakaway, with which Kelly finds her true voice. Working with producer Max Martin, Kelly embraces a rock-oriented image that better suits her vocal style. With strong singles such as: Because Of You, Since You’ve Been Gone, and the Avril Lavigne co-written title track, Breakaway was able maintain a top 20 Billboard spot for a consecutive year; only the 4th album to ever do so.
However, the true gem of Breakaway is the pop rock ballad Behind These Hazel Eyes. The song, co-written by Clarkson, is a window into the heartbreaking pain and frustration Kelly felt after a real life relationship ended. The song’s highlight is the final round of choruses. During previous verses and choruses the listener can feel Clarkson holding back, with the lyrics placing romantic blame on her youthful naivety. However, during the ending section of the bridge, she firmly declares an end to her victimization. Kelly then triumphantly proceeds to belt out the last choruses with every bit of her vocal arsenal, leaving nothing behind.
Though recent years have given more limelight to flashier acts like Katy Perry and Lady Gaga, Kelly Clarkson is still a powerful voice in pop music. She is a true American Idol.
the sequal with Mila Kunis was better -_-
I hope the director dies
There’s been talk of a film adaptation of Imperial Bedrooms that would reunite the cast of Less Than Zero. I doubt it will happen, but it would be sort of horrifyingly awesome.