
If you’re not a part of the snooty New York theater scene, you might not have been aware that South Park creators Trey Parker and Matt Stone’s Book of Mormon musical has been playing to rave reviews and sold out shows on Broadway for about a month now. That may or may not be a huge accomplishment considering their competition is stuff like Legally Blonde and the U2 Spider-Man play, but they did create it with Avenue Q‘s Robert Lopez, and I can confirm that Avenue Q is amazing. Now several sites are reporting that Book of Mormon could be coming to theaters, and I mean the American kind, with popcorn and Coke, not those fruity pinko ones with the programs and the intermissions. So why the question mark in the headline? Well, here’s the quote at the crux of the reports, from Deadline’s Mike Fleming:
So what will happen when producer Scott Rudin inevitably shops the Broadway musical to become a movie musical? “We’ve learned in our careers that as long as something is successful, they will give you money for it,” Parker tells me. “They just want to make money in Hollywood, they don’t really care. As long as the musical continues to do well, I don’t think it’s going to be hard at all.”
So… does that mean Scott Rudin actually is shopping the Broadway musical as a movie musical? Uh… maybe? That’s the way most sites are reporting it. As we’ve seen before, sometimes it’s hard to tell what the f*ck Mike Fleming is talking about. In any case, there doesn’t seem to be any reason it couldn’t become a movie. Also, it sounds awesome:
The Book Of Mormon ridicules the faith but is getting laughs from liberal Mormons. The key, Parker and Stone maintain, is to be respectful of the believers while showing irreverence toward the beliefs. And yet they portray 3 wide-eyed Mormons trying in vain to convert a Ugandan village afflicted with poverty, rampant AIDS, and violence at the hands of rebel soldiers. There are musical numbers that feature provocative and explicit lyrics. (Songs include one with a chorus that means “F*ck God,” another about the importance of stifling gay urges, and another about the maggots in a villager’s scrotum.) The turning point in getting the village to embrace baptism? When a bumbling missionary enhances Mormon teachings with story lines and characters from Star Wars and The Lord of the Rings and makes the faith more appealing. [Deadline]
I don’t know what it says about me that a song called “F*ck God” instantly takes me from “Musical? Ehhh…” to “must see.” Stephenie Meyer really could’ve used something like that in Twilight.



When a bumbling missionary enhances Mormon teachings with story lines and characters from Star Wars and The Lord of the Rings and makes the faith more appealing.
L. Ron Hubbard did it.
The only musicals that were not revolting that have been made in ten years have been from Trey and Matt.
I approve.
I first caught mind of this show here;
[inserts link to The Daily Show with Trey and Matt where they talk about this show but can't get it because of blockage by IT Nazis]
I’ve been hanging around some theater types lately and the ones who have seen this say it is by far the best show they’ve seen in years; one guy actually called it “life changing.” Of course that guy is a Ugandan with AIDS so maybe a couple of grains of salt are in order.
Peet, are you saying Ugandans are slugs?
The chance that I’ll actually see Book of Mormon on Broadway is slim, so I’m all for a movie.
Avenue Q is pretty much the best thing ever.
Oh, and I don’t think the South Park movie gets enough love. It’s pure brilliance.
i saw it on march 19. sat next to jerry “frank motherfucking costanza” stiller and his wife. it was easily the best musical i’ve ever seen.
When Mike Fleming inevitably makes misleading, uninformed sentences to draw readers, it will be now, or before now.
Is that Spider-Man musical still drawing crowds? Man, people are crazy for snuff pieces.
My Peace Corps musical hinges on getting the Ugandans to embrace bathing. Everyone will be offended.
I’m currently writing a musical about a Piper who only plays the brown note on a recorder. I think I’ll call it Rent 2.
If the internet is for porn, what the hell am I doing reading this?
Unfortunately, you can hear many of its mostly foul-mouthed numbers online, and critics have already warned that it is the most profane book ever performed on a Broadway stage. Its general language is beyond obscene, leaving it appropriate once again only to that narrow, but loyal, South Park clientele. Its authors use the same gag over and over—their only gag—where a sweet and often insightful setup is abruptly slapped away with a revolting payoff when least expected. Unfortunately, again, that’s exactly what you expect from them, so you end up just counting off the minutes and wondering how these childish louts are going to make this scenario go all filthy on you, over and over. It gets old in a hurry. It’s that whole insight thing I guess. Tre Parker and Matt Stone never developed a Superego–so they don’t know when they’ve crossed the line because they don’t even know what a line is much less where it might be located. More at my blog if interested.
A guy who uses the insult “childish lout” has a blog? Did you write it on carbon paper? Just take a mimeograph and shoot over a carrier pigeon and we’ll be happy to take a look.