| This week |
Last Week | Movie |
Weekend Gross* | % Change | Per theater Average | Total Gross* | Budget* | Week # | |||
| 1 | N | The Social Network | $23 | - | $8,300 | $23 | $50 | 1 | |||
| 2 | 2 | Legend of the Guardians: The Owls of Ga’Hoole | $10.855 | -32.6% | $3,036 | $30.047 | $80 | 2 | |||
| 3 | 1 | Wall Street: Money Never Sleeps | $10.1 | -46.9% | $2,808 | $35.876 | $70 | 2 | |||
| 4 | 3 | The Town | $10 | -35.9% | $3,407 | $64.307 | $37 | 3 | |||
| 5 | 4 | Easy A | $7 | -34.0% | $2,354 | $42.428 | $8 | 3 | |||
| 6 | 5 | You Again | $5.552 | -34.0% | $2,179 | $16.437 | $20 | 2 | |||
| 7 | N | Case 39 | $5.350 | - | $2,420 | $5.350 | $26 | 1 | |||
| 8 | N | Let Me In | $5.3 | - | $2,624 | $5.300 | $20 | 1 | |||
| 9 | 6 | Devil | $3.672 | -44.4% | $1,535 | $27.399 | - | 3 | |||
| 10 | 8 | Alpha and Omega | $3 | -36.6% | $1,303 | $19.025 | - | 3 | |||
(via BoxOfficeMojo, *numbers in millions)
Before this weekend’s numbers came in, I expected Let Me In to play second fiddle to The Social Network, but holy crap. I did NOT expect it to debut at number EIGHT below friggin’ You Again. Add to the poor opening the phenomenon of horror films dropping like a rock after their first weekend, and Let Me In is already circling the bowl like one of Jamie Lee Curtis’ loose BMs after an Activia binge (if I’m guilty of anything, it’s stretching too far for a poop simile). It’s a shame considering Let Me In actually looked decent and has been picking up mostly good reviews, but at the same time, you won’t see me crying if Hollywood decides they aren’t going to remake two-year-old foreign films anymore. Time to start learning to read subtitles, middle ‘murica. Got damn furreigners, refusin’ to speak English ’cause they’re jealous of our freedoms. These truck nutz don’t run, Frenchy. (*suck it, double suck it*)
Meanwhile, a lot of people expected The Social Network to do better than $23 million. Zombieland did $24.7 million this time last year, for comparison. Surprise, surprise, the early buzz is that it didn’t play to Middle America.
The reason may well lie in the film’s elitism which could be keeping more mainstream audiences away. “Left coast, right coast, and a smidge of Chicago only. The rest of the country could care less,” a rival studio exec pointed out the pic’s attendance patterns to me late Friday, adding Saturday. “It’s a big city pic only.” [Deadline]
Compooters?! …Get the rope. “Social Network? Is that the one about the lil’ Jewish boy who talks too fast?” I think that was the problem right there. I liked the movie, but I don’t think the characters talking a mile a minute at each other in every scene added much. And speaking as a country boy who moved to the city, I eventually saw it on the strength of good reviews, but I have to admit that my first inclination after seeing the first trailer was to sock someone in the belly.




I wanted to see Let Me In, but it apparently violates the restraining order that Chloe Moretz’s family filed against me.
The rest of the country could care less,” a rival studio exec pointed out the pic’s attendance patterns to me late Friday, adding Saturday. “It’s a big city pic only.”
Apparently the big city operates by a different set of English rules. IT’S COULDN’T CARE LESS, MOUTHBREATHER!
Qaplah! The Ga’Hoole left Shitty LaBaktag in their bony, mouse-furred scat!
An old British bass player freebases meth, kills a few groupies, fucks their bodies, buries them in the Pennines, goes home to furiously scrub the kitchen floor for a few hours, and gets the spiders off his skin in “Lemmyin’”.
All I want to know, what I need to hear, to soothe my heart, is that A_DUBS thought Let Me In was fantastic.
Please FD, show me the light (because I am too lazy to go looking for it myself).
I guess I’m just not avant-garde enough to appreciate a bunch of Harvard faggots bitching at each other over whose fault it is that I had to destroy relationships with people over their constantly pestering me with Farmville requests.
“I guess I’m just not avant-garde enough to appreciate a bunch of Harvard faggots bitching at each other over whose fault it is that I had to destroy relationships with people over their constantly pestering me with Farmville requests.”
ZeroCharisma likes this.
As a misplaced midwesterner I went to see Social Network against my better judgement. The best part was when I stood up, air humped and yelled “AND TWINS!”.
Actually, the best part was when I found out they weren’t actually twins and Fincher was being creepy having one guy play both. That was infinitely more interesting.
A lot of people in Middle America are too busy drinkin’ and fuckin’ (and cookin’ meth) to see a movie about child vampires.
A lot of people in Middle America are too busy takin’ their kids (from the aforementioned drinkin’, fuckin’, and meth cookin’) to the Owls of Gayhole to go see a movie about child vampires.
A lot of people in Middle America saw ‘Near Dark’ and really don’t give a fuck about another vampire movie.
Maybe they figure it’s too much like Ikea and they won’t be able to put the parts together.
Tell me the truth, of the following two synopses, which one sounds more awesome:
1. Harvard kids get rich(er), back-stab, and have sex (non-graphic). Bad guys win all around
2. Owl MMA where slave underlings pick through shit in search of magic stones.
“The Social Network only made $23 million and one studio executive said it was because the film seemed too ‘elitist’ for Middle America. I guess you could say it flew over the heads of everybody in flyover country!”
“….good one, Jay?”
Every time I read about let me in, all I can think of is this.
[www.youtube.com]
I’m waiting for the videogame.
Well, considering Let Me In was a remake of Let the Right One In, which sucked, I’m not surprised to see it low on the list. It deserves to be beat out by a fucking Rom-Com.
This saddens me.
I thought Let Me In is actually superior to Let The Right One In in every way. Yes, it’s an adaptation, but it did a better job with the story, the acting is much better (though this might be something lost in translation), they kept all the good stuff and everything they changed and added made the movie better.
Too bad people skipped it.
I was interested in seeing Let Me In until I found out it wasn’t a documentary on the life of ODB.